Isn’t it funny how we write things like that after someone is long gone? I think Vincent (she liked to be called Vincent) would quip that it’s a tad late now for birthday greetings, don’t you think? Well, it’s a little past midnight now, but that’s not really what I mean. Her birthday is February 22, but she passed away in 1950. And since I took the time for a birthday acknowledgment for W.H. Auden yesterday, I didn’t want to leave her out. She is after all one of my very favorites.
I read an article a while back (which I will not link to because it was awful, opinionated, and false) in which a prudish and jealous young poet wrote that Vincent was “an important American poet, but not a great one.” I wholeheartedly disagree. Her skill, wit, irony, and humor, along with her heartbreaking honesty persuade me that we can put that other writer’s assessment aside as nonsense.
I encourage you to read her Poetry Foundation biography page which insists “Pulitzer Prize-winner Edna St. Vincent Millay was one of the most successful and respected poets in America.” I did a rather thorough write-up on her birthday weekend last year which I would just love for you to read again by clicking here. There are plenty of poems and links for you to peruse, including the entire online text of her book A Few Figs from Thistles.
There are also some great audio files from SoundCloud, including one of Vincent reading “I Shall Forget You Presently, My Dear,” and me reading “I Think I Should Have Loved You Presently.” Unfortunately the audio from the Millay Tapes, twelve beautiful songs set to her poetry by Katie Barbado, have disappeared from SoundCloud. You can still find a sample on Katie’s old Kickspy page. Since they are now gone I will be purchasing the CD myself. If you are a Millay lover and a music lover, you’ll want to check into it too.
The first time one of Edna St. Vincent Millay’s poems made a significant impression on me was probably over a decade and a half ago, shortly after I came out. I was at a little bar on a Tuesday night in the university town of State College, Pennsylvania. The bartender and I were discussing poetry. She was quoting Shakespeare and I was quoting William Stafford. Someone in the place joked that they didn’t know Tuesday was poetry night at Chumley’s, and that’s when the handsome young man with blue eyes and dark hair on the bar stool to my right turned to me and began saying these words:
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning, but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply. . .
He continued, and beautifully, quietly delivered all the lines of Millay’s “Sonnet 42,” said it was the only poem he knew by heart. It was enough. I suppose I don’t have to tell you what followed, or what a lovely evening it became after that.
Anyway, with all the birds and sunshine here in my neck of Penn’s Woods today I am thinking of the soon-coming spring, and this poem by Millay named after the season those birds are trying to usher in. The following recording of the poem is by Parallel Octave, a Baltimore-based improvising Chorus. There is a delightful collection of these spring-ish poems which they recorded in April of last year entitled Twisted Spring. You can enjoy the whole lot on their web page. It includes poems by Shakespeare, Robert Herrick, Millay and others. Please give them a visit. You can thank me later.
by Edna St. Vincent Millay
To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
Comes like an idiot, babbling and strewing flowers.